“That’s not pig, it’s human!” In the tenth dream in the filmic adaptation of Natsume Sōseki’s “Ten Nights of Dreams,” Yūdai Yamaguchi employs his unique combination of comedy/horror/gore/manga stylistic techniques to tell a pedagogical moral tale. Though Yamaguchi’s crazed and ludicrous visuals at times stray from the original text’s purpose, it is still clear: there is…